{"title":"BOOKS","description":"\u003cp\u003eShop art, photography, fashion, and design titles from Super Labo, Mack Books, Dashwood, and vintage out-of-print titles from Europe and Japan. 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Denied official permission to make the work, Graham’s photographs were taken discreetly, usually without looking through the camera, resulting in a spatial disorientation that emphasized the unmoored distress of vulnerable citizens. The work shocked many on its release – leading Magnum photographers were outraged by its use of colour in a classic documentary topic, while others celebrated how it straddled the world of activism and art (it was exhibited at both Trade Union conferences and the Museum of Modern Art, New York). \u003c\/span\u003e\u003c\/b\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cb\u003e\u003cspan style=\"font-weight: 400;\"\u003eGraham forged a fresh form of engaged photography, mixing elements of social documentary, \"new color\" and reportage to create a striking body of work that endures to this day. 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Moving through the city with his characteristically restrained and observational approach, Homma photographs a landscape still marked by the event—memorials, flowers, American flags, city streets, architecture, and fragments of everyday life.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eRather than documenting the attacks themselves, Homma focuses on their lingering presence within the ordinary rhythms of New York. Images of mourning and patriotism sit alongside seemingly incidental views of airplanes, buildings, and the street, creating a quiet portrait of a city navigating loss, identity, and a newly altered sense of normalcy. 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Originally made as test images in preparation for larger photographic works, the Polaroids form a parallel archive—one that reveals the experiments, observations, and incidental moments surrounding diCorcia’s meticulously constructed photographs.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003ePresented in dense succession, the images move freely between portraits, interiors, street scenes, landscapes, objects, and fragments of everyday life. Familiar subjects from diCorcia’s major bodies of work appear alongside anonymous figures and seemingly incidental observations, dissolving the distinction between preparation and finished image.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eTaken together, \u003c\/span\u003e\u003cem\u003e\u003cspan\u003eThousand\u003c\/span\u003e\u003c\/em\u003e\u003cspan\u003e offers a more immediate and intimate view of diCorcia’s practice. 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Made in and around the Wisconsin landscape where Springer was raised, the photographs trace the quiet rhythms of winter and the periods of stillness that exist between cycles of growth and renewal.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eMoving between portraiture, landscape, animals, and observations of everyday life, Springer approaches her surroundings with a sense of familiarity and tenderness. Snow-covered fields, domestic interiors, family, and fleeting encounters form a personal portrait of the American Midwest, where the apparent dormancy of the landscape conceals an ongoing sense of life and change.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eRooted in Springer's own relationship to home, \u003c\/span\u003e\u003cem\u003e\u003cspan\u003eDormant Season\u003c\/span\u003e\u003c\/em\u003e\u003cspan\u003e considers ideas of belonging, inheritance, and our connection to the natural world. 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As the year unfolds, back stage shots, Spring\/Summer, Autumn\/Winter as well as one-off photo shoots present the quirky sophistication of this young Japanese designer. \u003cbr\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eSoftcover\u003c\/li\u003e\n\u003cli\u003e140 pages\u003c\/li\u003e\n\u003cli\u003e200 x 300 MM\u003cbr\u003e\n\u003c\/li\u003e\n\u003cli\u003eMagazine House Company\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"MAGAZINE HOUSE","offers":[{"title":"Default Title","offer_id":40903721746514,"sku":null,"price":90.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0063\/8094\/5490\/files\/HIROMOX_BACKSTAGE_NEW.png?v=1713550612"},{"product_id":"alessandra-sanguinetti-on-the-sixth-day","title":"ALESSANDRA SANGUINETTI - ON THE SIXTH DAY","description":"\u003cp\u003eAlessandra Sanguinetti’s \u003cem\u003eOn the Sixth Day\u003c\/em\u003e offers us a glimpse of life on a small Argentine farm from the perspective of its animals. 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Yet Sanguinetti portrays these animals as individuals in their own right, each with their own mysterious spirit, relating their lives from birth to death with an unsentimental and direct gaze.\u003c\/p\u003e\n\u003cp\u003eFirst published in 2005 and now out of print, this new and expanded edition of \u003cem\u003eOn the Sixth Day\u003c\/em\u003e includes additional unseen images.\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003e96 pages, 300 x 320 mm\u003c\/li\u003e\n\u003cli\u003eEmbossed buckram hardcover with tipped-in image\u003c\/li\u003e\n\u003cli\u003ePublished by Mack Books\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"Mack Books","offers":[{"title":"Default Title","offer_id":40983376003154,"sku":"SANGUINETTI-SIXTH","price":65.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0063\/8094\/5490\/files\/SANGUINETTI-SIXTH-1.jpg?v=1744149463"},{"product_id":"alison-peter-smithson-upper-lawn-solar-pavilion","title":"ALISON \u0026 PETER SMITHSON - UPPER LAWN, SOLAR PAVILION","description":"\u003cdiv class=\"product__description rte remove-empty-space\"\u003e\n\u003cp class=\"p1\"\u003eIn 1958, the architects Alison and Peter Smithson bought a derelict cottage on the Fonthill Estate in Wiltshire, southwest England. Over the next four years they transformed it into a country home for their young family and an extended experiment in the methods and materials that would shape their practice; a pavilion drawing on the tradition of the English folly, known as Upper Lawn or the Solar Pavilion. Retaining the cottage’s original stone walls and one of its chimneys, the Smithsons built what they described as ‘a simple climate house’: two open floors looking over the hills and valleys of Fonthill, where life could be lived simply and in consonance with the fluctuations of weather and seasons. The innovations developed in this private and modest home would feed into large-scale projects, such as Robin Hood Gardens housing estate, for which the Smithsons would become renowned.\u003cbr\u003e\u003c\/p\u003e\n\u003cp class=\"p1\"\u003eThis publication explores the rich story of Upper Lawn’s construction and inhabitation by revisiting the small book Alison Smithson created with architect Enric Miralles in 1986. Here, the book’s contents, including diary entries, photographs, drawings, and references, are republished in full in a new design, expanded by extensive new materials from the Smithson archive. Together, these documents describe the building’s lived life, picturing it as a ledger of wear and use, a means of private and professional exploration, and a lens onto the passage of time inside and outside its walls.\u003c\/p\u003e\n\u003cp class=\"p1\"\u003eThis book places Upper Lawn at the heart of the Smithsons’ practice, revealing its own quiet philosophy and ethics of architecture. This new book has been edited in collaboration with the Smithson Family Collection and includes an introductory essay by Paul Clarke, Professor of Architectural Design at the Belfast School of Architecture.\u003c\/p\u003e\n\u003cul\u003e\n\u003cli class=\"p1\"\u003e144 pages, 300 x 210 mm \u003c\/li\u003e\n\u003cli class=\"p1\"\u003eOTA bound paperback\u003c\/li\u003e\n\u003cli class=\"p1\"\u003ePublished by Mack Books\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/div\u003e","brand":"Mack Books","offers":[{"title":"Default Title","offer_id":40983378362450,"sku":"SMITHSON-UPPER","price":50.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0063\/8094\/5490\/files\/SMITHSON-UPPER-1.jpg?v=1744149464"},{"product_id":"horoh-kikai-asakusa-portraits","title":"HIROH KIKAI - ASAKUSA PORTRAITS","description":"\u003cp\u003ePublished by ICP and Steidl, Hiroh Kikai's \u003cem\u003eAsakusa Portraits\u003c\/em\u003e contains a selection of the 600 images Kikai has taken since 1973. Including an introduction by Christpoher Philips and essay by cultural historian Hiromichi Hosoma, \u003cem\u003eAsakusa Portraits\u003c\/em\u003e brilliantly captures Kikia's on going project, capturing individuals in and amongst the crowds of people who congregate and wander the Asakusa area. Working with a handheld Hasselblad and using only natural light, Kikai spends no more than ten mintues which each subject, capturing their body language, attire and entire physical expression throughout the brief encounter. Here Kikai's approach and interest within humanity and its universal attributes are explored. Using only the vermilion walls of Asakusa's Senjoji Temple as a backdrop, Kikai captures the very essence of each sitter within his photographs. Present within each portrait is the eveyday man and woman taking on the leading role, none similar to the next but all sharing the commonality of being singularly unique individuals.\u003c\/p\u003e\n\u003cp\u003eRead Citations, Edition 3: Hiroh Kikai - Asakusa Portraits \u003ca href=\"https:\/\/ladywhiteco.mom\/pages\/citations\/citations-ed-3-hiroh-kikais-asakusa-portraits\" title=\"Citations Edition 3: Hiroh Kikai's Asakusa Portraits\"\u003ehere\u003c\/a\u003e.\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eFirst edition\u003c\/li\u003e\n\u003cli\u003eHardcover\u003c\/li\u003e\n\u003cli\u003eIntroduction by Christopher Phillips\u003c\/li\u003e\n\u003cli\u003eInterview by Noriko Fuku with Hiroh Kikai\u003c\/li\u003e\n\u003cli\u003eText by Hiroh Kikai\u003c\/li\u003e\n\u003cli\u003e277 x 230 mm\u003cbr\u003e\n\u003c\/li\u003e\n\u003cli\u003e264 pages\u003c\/li\u003e\n\u003cli\u003ePublished by ICP\/Steidl, 2008\u003cbr\u003e\n\u003c\/li\u003e\n\u003cli\u003eCondition: Like new\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c!----\u003e","brand":"DASHWOOD BOOKS","offers":[{"title":"Default Title","offer_id":41146480459858,"sku":"HIROH-ASAKUSA","price":265.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0063\/8094\/5490\/files\/HIROH-KIKAI-ASAKUSA-PORTRAITS-01-COVER-a.jpg?v=1749668820"},{"product_id":"shinro-ohtake-18","title":"SHINRO OHTAKE - 18","description":"\u003cp\u003eAt 18 years old, Ohtake spent a year working on a farm in the countryside of eastern Hokkaido, Japan's frigid northern island. Drawings in pen and ink and charcoal as well as watercolors are sandwiched between blocks of full bleed photography depicting the rugged landscape and agrarian life in an unadorned style. Obviously the period was formative for the young artist and the book published some 30 years is a frenetic dream of his time there; possibly romanticized but highly original nonetheless. In the reduced unrefined b\u0026amp;w there is a nod to the Provoke movement but with none of its Film Noir American references - this is the product of a younger more introspective generation.\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003ePublished: 2002\u003c\/li\u003e\n\u003cli\u003ePublisher: Aoyama Publishing Co\u003cbr\u003e\n\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c!----\u003e","brand":"DASHWOOD BOOKS","offers":[{"title":"Default Title","offer_id":41146482294866,"sku":"OHTAKE-18","price":225.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0063\/8094\/5490\/files\/SHINRO-OHTAKE-18-01.jpg?v=1791324156"},{"product_id":"donald-judd-furniture","title":"DONALD JUDD - DONALD JUDD FURNITURE","description":"\u003cp\u003e\u003cem\u003eThe art of a chair is not its resemblance to art, but is partly its reasonableness, usefulness, and scale as a chair.\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e\u003cem\u003eDonald Judd Furniture\u003c\/em\u003e includes more than one hundred pieces of his furniture, spanning 1970 to 1991, designed for his living and working spaces at 101 Spring Street and in Presidio County, Texas. \u003c\/span\u003e\u003cspan\u003eThe publication introduces readers to Donald Judd’s furniture designs, initiated during the renovation of his home and studio at 101 Spring Street in New York, and as the result of the difficulty Judd later had in furnishing his home in Marfa, Texas. These furniture designs exemplify the directness of form and presence for which his artworks are celebrated, as well as offering a distinct and unadorned functionality. In this book they are presented through detailed drawings and breakdowns of materials, and color photography exploring their placement and function within these spaces. As well as surveying a central aspect of his work, \u003cem\u003eDonald Judd Furniture\u003c\/em\u003e details Judd’s understanding of functionality, form, and his deep interest in the possibilities of design in a world of mass-production.\u003c\/span\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eFlexibound hardcover housed in an embossed black sleeve\u003cbr\u003e\n\u003c\/li\u003e\n\u003cli\u003e229 x 152 mm\u003c\/li\u003e\n\u003cli\u003e448 pages\u003cbr\u003e\n\u003c\/li\u003e\n\u003cli\u003ePublished by Mack Books\u003c\/li\u003e\n\u003cli\u003eCo-published with Judd Foundation\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"Mack Books","offers":[{"title":"Default Title","offer_id":41259144446034,"sku":"JUDD-FURNITURE","price":70.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0063\/8094\/5490\/files\/JUDD-FURNITURE-01a.jpg?v=1744149469"},{"product_id":"donald-judd-donald-judd-spaces","title":"DONALD JUDD - DONALD JUDD SPACES","description":"\u003cp\u003eThis expansive volume presents an unprecedented visual survey of Donald Judd's permanently installed living and working spaces in New York and Texas. Edited by Rainer Judd and Flavin Judd, it includes newly commissioned and archival photographs presented alongside five essays and drawings for architecture and design by the artist. From 101 Spring Street, a nineteenth-century cast-iron building in Manhattan, to Ayala de Chinati, an extensive ranch in the mountains of western Texas, this book details the interiors, exteriors, and land surrounding the buildings that comprise Judd’s extant living and working spaces stewarded by Judd Foundation. Each space was thoroughly considered by Judd with resolute attention to function and design. 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Installed within a vacated retail unit in Lower Manhattan, the works of \u003cem\u003eSnow Cab\u003c\/em\u003e actively blend and respond to the inert postconsumer space they inhabit, a space in which subsequent to their exhibition the works were left, in situ.\u003c\/p\u003e\n\u003cp\u003eVegezzi’s practice explores the blending of the individual with narratives of privacy, security and visibility within the American military-industrial complex. A departure from prior works, \u003cem\u003eSnow Cab\u003c\/em\u003e evolved as an immediate, frenzied and searching response following the Paris terror attacks of November 2015. Moving through the documentation of the exhibition we find t-shirts, sweeping compound, statues, core samples, Cold War rations, wildlife and more, repurposed and reappropriated for display amongst images and texts.\u003c\/p\u003e\n\u003cp\u003eIn the two accompanying texts to the exhibition, one of which was distributed to all exhibition visitors as a printed booklet, we find an interweaving of Vegezzi’s ongoing research into the security industry with personal experiences of love and terror. Many of the works we see are a series of gestures that both intervene in and undermine Vegezzi’s immediate environment of Manhattan. In one work, a black plexiglass panel has been cracked along its top edge, voiding its former purpose of stopping any light from entering the retail space. It balances delicately with a pixelated image of a blue sky, taken from the empty training headquarters of a prominent insurance company. Elsewhere, the vibrant red of an industrial sweeping compound used to eliminate dust sits within household plant pots.\u003c\/p\u003e\n\u003cp\u003eThese materials, used to control the flows of nature on an elementary level are reconfigured - modifying or corrupting the synthetic materiality of urban space and resembling the aftermath of some unforeseen event. As a piece of work that directly responds to the Paris Attacks, \u003cem\u003eSnow Cab\u003c\/em\u003e also traces and attempts to emulate material production as sympathetic evidence of experience in the wake of an event. This is evident in objects presented throughout the show and detailed in Vegezzi’s texts, but is most apparent in a collection of t-shirts that were hung up for display - depicting vilified terrorists, the 1993 World Trade Center bombing, a Pray for Paris slogan and hand-made shirts referencing waterboarding. In the re-framing of these items of clothing, Vegezzi highlights the notion of merchandise and profit from geopolitical terror, while also delicately articulating the human and vulnerable within our reactions and experiences of a modern, managed world.\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eBinding: Laminated softcover with flaps\u003c\/li\u003e\n\u003cli\u003eCondition: New\u003c\/li\u003e\n\u003cli\u003eSize: 175 x 220mm\u003c\/li\u003e\n\u003cli\u003e88 pages \u003cbr\u003e\n\u003c\/li\u003e\n\u003cli\u003e47 color plates\u003c\/li\u003e\n\u003cli\u003ePublisher: Loose Joints, 2016\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"Loose Joints","offers":[{"title":"Default Title","offer_id":41984524812370,"sku":"VEGEZZI-SNOW","price":25.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0063\/8094\/5490\/files\/VEGEZZI-SNOWCAB-01.jpg?v=1741894433"},{"product_id":"caruso-st-john-collected-works-volume-1-1990-2005","title":"Caruso St. John - Collected Works: Volume 1 1990-2005","description":"\u003cp\u003eThe first volume of a collected works, this book covers fifteen years of Caruso St John, one of the most highly acclaimed and influential contemporary archi­tectural practices. Following a thematic course shaped around key phases and aspects of their thinking, this extensive volume offers a detailed reflection on the practice’s activities between 1990 and 2005. Through a chorus of voices including critics, clients, and artists, it narrates their early emergence and de­velopment through to the international recognition which came with projects such as Nottingham Contemporary, The New Art Gallery Walsall, and the Brick House, with the latter two both being shortlisted for the Stirling Prize.\u003c\/p\u003e\n\u003cp\u003eDetailed accounts of early projects and competition entries, with unseen drawings and new commentaries by Adam Caruso and Peter St John, are presented here accompanied and contextualised by inventories of references from across architecture and contemporary art, together with new and archival texts capturing each project’s formation and reception. With an open and re­flexive structure, the book offers both an accessible introduction and a detailed, cross-referential constellation of ideas, images, influences, and documentation. Diverse projects such as the progressive reiterations of Peter St John’s home at Orleston Mews and the signage system for London’s Bankside sit in dialogue with more well-known buildings. Bringing together the renowned and the minor, the peripheral and the spectacular, the ugly and the beautiful, this essential book – the first comprehensive monograph on the practice – embodies Caruso St John’s belief that the contemporary world is composed not solely of the new but of everything that has come before. It illuminates a vision of the built environment as a network of culture, memory, construction, and emotion, and articulates an architecture that inhabits and evolves with that fluctuating whole. Includes texts by Wim Wenders, Hans Kollhoff, Irénée Scalbert, Vicky Richardson, Claes Caldenby, Dominique Boudet, James Lingwood, Adam Caruso, Peter St John, and more.\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eEmbossed and silkscreened linen hardcover\u003cbr\u003e\n\u003c\/li\u003e\n\u003cli\u003e220 x 265 mm \u003c\/li\u003e\n\u003cli\u003e424 pages\u003c\/li\u003e\n\u003cli\u003ePublished by Mack Books\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"Mack Books","offers":[{"title":"Default Title","offer_id":42002650890322,"sku":"CARUSO-COLLECTEDVOL1","price":80.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0063\/8094\/5490\/files\/CARUSO-COLLECTED-VOL-1-01_0d406887-3666-4e8e-b6eb-241a37afe06f.jpg?v=1744144622"},{"product_id":"violeta-bubelyte-violeta-bubelyte","title":"VIOLETA BUBELYTĖ - VIOLETA BUBELYTĖ","description":"\u003cp\u003e\u003cspan\u003eVioleta Bubelytė is a Lithuanian photographer who created nude self-portraits from 1981 until 2003, and cemented herself into the history of Lithuanian art as a unique and taboo-shattering artist. In 2015, she was back taking challenging pictures of herself. \u003c\/span\u003e\u003cspan\u003eIn \u003c\/span\u003e\u003cspan\u003ethis \u003c\/span\u003e\u003cspan\u003elimited edition\u003c\/span\u003e\u003cspan\u003e publication, \u003c\/span\u003e\u003cspan\u003ewe find an original print and \u003c\/span\u003e\u003cspan\u003earticles written by Virginijus Kinčinaitis, Agnė Narušytė, Tomas Vaiseta, Artūras Tereškinas, and Kęstutis Šapoka. 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Born Dorothea Israelit (Bohm was her husband’s surname) in 1924 in Königsberg, East Prussia (now Kaliningrad), her life’s journey led her to Memel (now Klaipėda) in 1932. In June 1939, with the Nazis approaching, her parents sent the young girl to England.\u003c\/p\u003e\n\u003cp\u003eIn England, Dorothy pursued her passion for photography, eventually specializing in portrait photography and establishing her own studio in Manchester. Her career took off, culminating in her first solo exhibition in London in 1969. Renowned photographer André Kertész, a friend and inspiration, admired her striking Polaroids. She also enjoyed a creative friendship with the British documentary photographer Martin Parr. Throughout her artistic journey, Bohm accumulated an impressive portfolio, featuring twenty-five solo exhibitions and authoring over fifteen publications.\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eHardcover\u003c\/li\u003e\n\u003cli\u003eEdited by Gintaras Česonis\u003c\/li\u003e\n\u003cli\u003eDesigned by Inga Navickaitė\u003c\/li\u003e\n\u003cli\u003eTexts by Margarita Matulytė, Adam Mazur\u003c\/li\u003e\n\u003cli\u003e143 pages\u003c\/li\u003e\n\u003cli\u003ePublished by Kaunas Gallery, 2023\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"Kaunas Gallery","offers":[{"title":"Default Title","offer_id":42060967116882,"sku":"BOHM-WORLD","price":65.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0063\/8094\/5490\/files\/DOROTHY-BOHM-A-WORLD-OBSERVED-01.jpg?v=1749068605"},{"product_id":"donald-judd-donald-judd-writing","title":"DONALD JUDD - DONALD JUDD WRITING","description":"\u003cp\u003e\u003cem\u003eDonald Judd Writings\u003c\/em\u003e is the most comprehensive collection of the artist’s writings assembled to date, including Judd’s best-known essays, little-known texts, unpublished manuscripts, and letters. Moreover, this collection also includes unpublished college essays and hundreds of never-before-seen notes, a critical part of Judd’s writing practice. \u003cbr\u003e \u003cbr\u003eJudd’s earliest published writing, consisting largely of art reviews for hire, defined the terms of art criticism in the 1960s. His essays as an undergraduate at Columbia University in New York, published here for the first time, contain the seeds of this later writing, and allow readers to trace the development of his critical style. The writings that followed Judd’s early reviews are no less significant, but were often published in limited editions and have remained largely unavailable until now. Judd’s unpublished notes are transcribed from his handwritten accounts of and reactions to subjects ranging from the politics of his time to the literary texts he admired most. In these intimate reflections we see Judd’s thinking at his least mediated – a mind continuing to grapple with questions of its moment, thinking them through, changing positions, and demonstrating the intensity of thought that continues to make Judd such a formidable presence in contemporary visual art.\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eSilkscreened linen paperback\u003cbr\u003e\n\u003c\/li\u003e\n\u003cli\u003eEdited by Flavin Judd and Caitlin Murray\u003cbr\u003e\n\u003c\/li\u003e\n\u003cli\u003e108 x 178 mm \u003c\/li\u003e\n\u003cli\u003e1056 pages\u003c\/li\u003e\n\u003cli\u003ePublished by Mack Books\u003c\/li\u003e\n\u003cli\u003eCo-published with Judd Foundation\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"Mack Books","offers":[{"title":"Default Title","offer_id":42086760185938,"sku":"JUDD-WRITING","price":50.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0063\/8094\/5490\/files\/JUDD-FOUNDATION-DONALD-JUDD-WRITINGS-01.jpg?v=1752003198"},{"product_id":"jean-prouve-constructive-imagination","title":"Jean Prouvé - Constructive Imagination","description":"\u003cp\u003e\u003cstrong\u003ePrefabricated houses, bicycles, school desks and more demonstrate the versatility and utility of Jean Prouvé’s designs\u003c\/strong\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003eFrench designer and self-taught architect Jean Prouvé applied manufacturing techniques to the world of art and design, while also maintaining a social consciousness that informed his commissions. 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Against the blue backdrop of the coast, he became fascinated by the way red hair, pale skin, and freckles responded to the summer light, beginning a photographic study that would develop over the following years.\u003c\/p\u003e\n\u003cp\u003eMeyerowitz sought out redheaded subjects of different ages and backgrounds, photographing each with the same direct, eye-level approach. Despite differences in nationality, age, and identity, the portraits reveal an unexpected visual connection between their subjects. The project also reflects Meyerowitz’s longstanding interest in color itself, particularly the relationship between red hair, changing light, and the color photographic process.\u003c\/p\u003e\n\u003cp\u003eOriginally published in 1990, this expanded edition from Damiani returns to Meyerowitz’s celebrated series with previously unseen portraits, including 16 additional images. 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Best known for her black-and-white photographs of the city, Levitt began working in color in the late 1950s, documenting the gestures, encounters, and everyday theater unfolding across New York’s streets and neighborhoods.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eOriginally presented as a continuous slide projection, these photographs marked an important development in Levitt’s practice. Working intuitively and largely unnoticed, she captured children at play, figures framed by doorways and storefronts, and fleeting interactions between strangers. Color becomes an integral part of the compositions, drawing attention to clothing, painted facades, signage, and incidental details while retaining the spontaneity and ambiguity that define her earlier work.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e\u003cspan\u003eSlide Show\u003c\/span\u003e\u003c\/em\u003e\u003cspan\u003e presents this body of work as a vivid record of the city and its inhabitants, revealing Levitt’s ability to find moments of humor, tension, intimacy, and visual order within ordinary life. 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However due to time limitations it was left unpublished.\u003c\/p\u003e\n\u003cp\u003eNow added to and re-edited to include more images and material from the past 10 years.\u003cbr\u003eThe earliest pictures in the book go back 1974.\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eBinding: Hardcover\u003c\/li\u003e\n\u003cli\u003eCondition: New\u003c\/li\u003e\n\u003cli\u003eDimensions: \u003cspan style=\"font-weight: 400;\"\u003e7.4\" x 9.6\", 168 pages\u003c\/span\u003e\n\u003c\/li\u003e\n\u003cli\u003ePublishing: Super Labo, 2022\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"SUPER LABO","offers":[{"title":"Default Title","offer_id":42740991918162,"sku":null,"price":75.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0063\/8094\/5490\/files\/TOM-WOOD-TERMINI-01.jpg?v=1791323943"},{"product_id":"larry-sultan-evidence","title":"LARRY SULTAN - EVIDENCE","description":"\u003cp data-pm-slice=\"1 1 []\"\u003e\u003cem\u003e\u003cspan\u003eEvidence\u003c\/span\u003e\u003c\/em\u003e\u003cspan\u003e brings together photographs collected by Larry Sultan and Mike Mandel from the archives of American corporations, government agencies, research institutions, and educational organizations. 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